Chad’s Top-5 Comics of 2016

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Posted January 19, 2017 by Chad Waller in Comic Books

2016 is the year I jumped out of my comic-book comfort zone. I sampled as much as I possibly could, and to me, that’s the spirit of the medium. Super heroes are what the general public see, but anyone who’s stepped foot into a comic store knows that when it comes to putting words over pictures, anything and everything is fair game.

It’s wonderful, and 2016 saw the release of many wonderful books. We had more I Hate Fairyland, more Wayward, more The Autumnlands, a new series from Jim Zub, two different Alien runs from Dark Horse, two Neil Gaiman trades, tons of scifi and fantasy from Image, a Lovecraftian crime noir miniseries featuring a talking cat, New Superman, and whatever wonderful piece of literature A.D.: After Death is turning into.

That all being said, picking my top five series and top five trades for 2016 wasn’t all that difficult. This was a good year for comics, but the best-of-the-best truly stood out more than ever. Plus, I gave myself two very strict rules to follow:

  1. No repeats from 2015
  2. The comic must have at least four issues out or completed its first arc.

This means that while A.D.: After Death is probably the best thing I read this year, it isn’t on the list. It also means I Hate Fairyland, Wayward, and The Autumnlands aren’t on here either, since those were my big favorites from 2015.

The idea is to promote new series or series with strong jumping-on points. Plus, talking about how good Wayward is at this point is just boring. I’ll be doing my top-five series first and my top-five trades second.

5. Aliens: Defiance

Written by: Brain Wood

Art by: Tristan Jones, Tony Brescini, Stephen Thomson, and Dan Jackson

Publisher: Dark Horse

If you count the comic books and novels, the Alien franchise is actually jam-packed with content, and a lot of it sees the same ground being tread over and over. It’s perhaps never boring, but even I’ll admit that some of the franchise’s biggest tropes are starting to feel a bit derivative. Brian Wood seems to know this, because Aliens: Defiance is all about taking long-running tropes and expectations and shattering them. Zara isn’t your standard badass heroine, Davis isn’t your standard synthetic, and their fight against the titular Aliens isn’t your standard action romp. Everything about this series is character driven and outright lonely, because no one can hear you scream if no one is around. This coupled with a fantastic lineup of artists that know how to make great use of shadows have turned this into my favorite, non-movie Aliens series to date.

4. Glitterbomb

Written by: Jim Zub

Art by: Djibril Morissette-Phan & K. Michael Russell

Publisher: Image

In my introduction, I said that anything and everything is fair game in the realm of comic books, and Jim Zub is certainly proving that with his new series, Glitterbomb. Take one part drama and one part horror and stick both into a very dark, very strange character piece set in the worst parts of Hollywood. That’s Glitterbomb. Farrah is a down-on-her luck actress with a pig of an agent and barely enough money to pay her babysitter, and while that’s enough for a compelling story on its own, she encounters something otherworldly and…turns. It’s nail-biting horror through and through, though not because Farrah herself is scary but because she’s completely unpredictable. Well, she’s also a little scary. Her shift is some grade-A body horror, and the brutality on display would make Stephen King nod his head in approval. Djibril Morissette-Phan and K. Michael Russell excel at facial expressions that say more than words cannot, and they do blood and gore pretty darn well too. Everyone looks and feels human until they are not.

3. The Hunt

Written by: Colin Lorimer

Art by: Joana Lafuente

Publisher: Image

If it isn’t obvious by now, I’m a big fan of horror. I don’t like the gore-ridden, slasher kind though; if you want to keep me up at night, you need to give me terrifying ideas first and great characters second. The Hunt is both. The idea is that upsetting monsters that are well versed in magic is an awful, awful thing to do, and the character is Orla, a high-school girl who knows just enough magic to think she’s in control when she very clearly is not. The rest is a kaleidoscope of Irish mythology, changlings, threats of damnation, and a small beastery of monsters. The artwork here is never short of phenomenal, so much so that I find myself going back and just flipping through the pages. The Hunt just might be the prettiest comic to come out of 2016.

2. Black Hammer

Written by: Jeff Lemire

Art by: Dean Ormston and Dave Stewart

Publisher: Dark Horse

As someone that isn’t well-versed in super hero comics, it’s impossible for me to talk about the structuralism of Black Hammer, which is one of its biggest selling points. Intellectually, I know know what it’s doing, but I don’t have the experience to really appreciate it. Yet as an average fan of comics–and someone who has a strong dislike of superhero comics–I find Black Hammer to be astounding in its execution and scope. Jeff Lemire is a wonder at characters and voice, and superhero status or no, it’s the characters that sell this series. From their motives to their flaws to their backstories, each one feels ridiculously real, like they’ve been around for twenty or more issues and not six. The writing is truly exceptional. Dean Ormston and Dave Stewart match the tone and characters perfectly as artists, and while Black Hammer is never pretty to look at, it’s interesting and fits the writing.

1. Black Monday Murders

Written by: Jonathon Hickman

Art by: Tomm Coker & Michael Garland

Publisher: Image Comics

Black Monday Murders is one of the most interesting things I’ve read in the last five years, and I make it a habit to read a lot. It’s a crime story, one with a detective trying to solve a murder, yet it’s also a story of cults, satanism, magic, money, bankers, economics, and perhaps immortality too. Everything about it is strange in the best way possible. Each issue is oversized and paced with brutal perfection, because Jonathan Hickman is a genius and he knows what it takes to tell a good story. He also knows that telling a good story sometimes means breaking rules. Black Monday Murders is not afraid to end a scene with a series of blank pages, and it isn’t afraid to use outright prose either. A character might die on page ten, and on page eleven there’s a confidential dossier with half of its words redacted out. The two are related, and it’s up to you to figure out how. Tomm Coker and Michael Garland match Hickman’s written precision with their artwork. The book is gorgeous, and like Black Hammer, the artwork fits the tone, characters, and style perfectly. It’s rare to find a team that so clearly play off of each others strengths, but every scene is better for it.

 

5. Black Road Vol 1

Written by: Brian Wood

Art by: Garry Brown

Publisher: Image Comics

Black Road is a cold, brutal look at the spread of religion through swords and power told more through visuals than words. It’s a story of vikings, theology, and desolation, and while it is never once happy, it is always compelling and great to look at. Brian Wood is a fantastic character writer, but more than that, he knows that writing a comic means letting the artist do just as much as the storytelling as the author. Black Road is a drought of words, the kind of story where the Black Road speaks volumes while the characters trudge along in silence. Their facial expressions and posture say more than their words could. You can feel the wind blow across the pages. You can hear it howl. I don’t know where the story will go, but I’m very much along for the ride.

4. Negative Space Vol 1

Written by: Ryan K Lindsay

Art by: Owen Gieni

Publisher: Dark Horse

It’s not every day that an author can perfectly pair comedy with depression, but Ryan Lindsay managed it with Negative Space, a dark comedy with a Lovecraftian twist. The series opens up on a writer struggling to finish his suicide note. It’s a brilliant idea that continues on in a mostly-brilliant way that is, above all else, unforgettable. The middle sections of this book are somewhat strange to be sure, but it’s beginning and end are perfection: utterly bleak yet forcing you to crack a grin all the while. The way this book ends will haunt you. When it comes to the artwork, Owen Gieni is carrying just as much weight as Ryan. Depression is hard to get right without coming off as too extreme, but Owen nails it on every page. The sorrow is real, and so are the Lovecraftian monsters.

3. How to Talk to Girls at Parties

 

Written by: Neil Gaiman

Art by: Fabio Moon

Publisher: Dark Horse

It’s Neil Gaiman at his most Neil Gaiman. To say anything more would be redundant.

2. Black Dog: The Dreams of Paul Nash

Written by: Dave McKean

Art by: Dave McKean

Published by: Dark Horse

Black Dog: The Dreams of Paul Nash might be the most important comic to come out in 2016. It’s a strange story to be sure, a surrealist mix of historical fact (artist Paul Nash as a real person and painter) and historical fiction (his paintings, and what happened to him during World War I); the surrealism makes it hard to tell one from the other. Plot points meander in and out of focus as Dave McKean treats us to an absolutely stunning array of surrealist art that seems to shift in style ever handful of pages. Nothing ever looks the same, and hell, almost nothing ever looks traditionally pretty. That’s on purpose though, and the effect it has is nothing short of profound. This is a story of one man attempting to cope with the horrors of WWI through his artwork. Pretty is not the way to cope with war. This book really has to be experienced to be believed, but it’s the kind of book everyone should experience.

1. Troll Bridge

Written by: Neil Gaiman

Art by: Colleen Doran

Publisher: Dark Horse

One of my favorite things about 2016 is that Neil Gaiman wrote us a fable. Troll Bridge is a coming-of-age story about a boy named Jack meeting a monster that wants to eat him and twisting his way by making a deal: He’ll come back when he’s older. He’ll be a better meal that way.  The rest is a character study of Jack and the bumps in his road that turn him into a cynical monster not worthy of a troll’s dinner. The rest is a hopelessly realistic portrayal of growing up and losing your childlike fantasy. The rest is about depression. The rest is about monsters and how they’re people too. The rest is, well, about life. Like all good fables, Troll Bridge has more to say about the world than it first lets on; it’s a kind of intellectual food, and it would be remiss if you didn’t take a bite.


About the Author

Chad Waller

Chad Waller is the cofounder of Dual Wield Software, a two-man video game company working on their first game, The Regret of Vitrerran. He also likes to write, preferring fiction and poetry, but also the occasional book review or video game essay. You can follow him on Twitter @DualWieldSoft and find his company page on Facebook with a quick search.