Written by: Ales Kot
Art by: Will Tempest
Publisher: Image
Very rarely does a comic book come along that is able to speak strongly about a range of issues. Material #1 definitely is one of those needles in the metaphorical haystack.
The issue is divided into four distinct narratives that seemingly have nothing in common. There is an MIT professor who is openly questioned about his views during a lecture and is consequently forced to question those very views himself. There is an aging actress who accepts a leading role in a movie and has deal with the problems in the film industry. There is a black teen at a demonstration, who is subsequently arrested. Finally, there is a Guantanamo Bay detainee who suffers from PTSD.
These narratives actually have quite a lot in common. For starters, they all feature compelling protagonists facing adversities in their lives. They also prominently showcase heavy issues that affect the world today; illegal imprisonment, police brutality, and the prominence of technology. These issues could come off as a little pretentious at times, but the overarching themes of adversity are able to tie them together in an intelligent package.
Alex Kot’s writing is quite good. The story is almost too ambitious but I am going to reserve judgment until I see more of the story. For the time being, however, the story is engaging enough. There are some instances, however, when the writing seems superficial. The philosophical discussion that starts off the story, for example, seems awkward and unrealistic. At the same time, I commend Kot for his ambitiousness. The writing is extremely concise and this creates an air of urgency in the story.
Will Tempest’s art is really where the issue excels. The use of colors and backgrounds are a testament to the importance of art in the comic book medium. Each narrative has its own unique art style that fits that specific narrative.
The only real criticism of this issue is that it is polarizing – if you enjoy analyzing the nuances in a story and reading intelligent literature with social commentary, this issue is for you. On the other hand, if you enjoy reading something light, you may not like Material.
The issue reminds me of Sin City in some ways – there are intertwined narratives about problems in society. While Material is not as depressing as Sin City, it definitely has some of its charm. I cannot wait to see how this series turns out and I recommend this issue as an interesting read.
