Written by: Bryan Hill
Art by: Nelson Blake II
Publisher: Image
In a stunning twist, it’s actually really easy to put into words how awful Romulus #1 was. Twelve pages of the most boring, trite exposition imaginable, tedium (somehow), an edgelord character who swears despite the self-censorship, and a bland, bland art style. It managed to be everything I hate about YA fiction without the dystopia.
Now normally the next sentence would be, “And issue #2 is somehow worse!” but that isn’t quite the case here, nor is it possible. The bar was set is so low that it’s now chilling with earth worms and mole people and wondering if it will ever see the sun again.
As of Issue #2, no. No it won’t.
So I hate everything about our main character. She feels fabricated to appeal to teen women as a “strong female character who bucks the rules and doesn’t afraid of nothin’,” which isn’t wrong. She does those things. The problem is, she does them in the most blatant, pandering way possible that it just comes off as offensive. A long time ago, I reviewed Divergent. This comic reminds me of that.
She swears a lot (all of which is censored, as I mentioned), can ignore pain, is tactful and smart, can beat people up that are way outside her weight class unless the plot doesn’t want her to, and is apparently the chosen one to take down Romulus. Even hot psychic pop stars are after her because that’s how this comic rolls!
Also, her name is Ashlar. Doesn’t that just make you cringe?
Or to put this comic in a different light: The first conversation Ashlar has with Nicholas, Nicholas volunteers to make her super-hero gadgets like adding armor to her jacket or a Etzio-styled palm knife because what? Ashlar pulls out her tooth in rebuttal to show him she means business, and Nicholas backs off right away because…okay, I’m still honestly stuck on why he thinks he should make her superhero gadgets. That’s immersion-breaking levels of stupid.
This is followed by a bunch of more stupid things that involve the aforementioned popstar (who is a member of the Illuminati because of course she is), a boring fight, and a cliffhanger ending.
All the while, the artwork is passable but mostly boring. It’s maybe a step up from the first issue, but there’s still no real charm or flair to it. It looks like a comic book. Well, it looks like a boring comic book.
The rule I’ve seen passed around between comic book fans is to give a series three issues. First impressions are hard to make, and sometimes it takes another issue or two for things to really pick up, for the story to find itself. I’m reminded of both Kaptara and Snotgirl, both of which I was sour on until Issues 2 and 3.
By that logic then, I owe Romulus one more chance. But let’s be real here: The bar I mentioned before is buying a house in mole people city because it knows it’s going to be living there forever.
This review felt weak. I don’t understand the hate for Ashlar. It makes little to no sense to me. It feels like you hate her for being a great female character, and frankly sounds pretty sexist. “Way out of her weight class?” Did you read issue #1 more than once? That wasn’t an easy fight and they make it clear that it wasn’t meant to be. I suppose I can respect you not liking the character but I question your reasoning.
Ashlar is in no way a great female character. As I said, I find her to be like Triss, where everything she does that is supposed to come off as great is just grating and trying to appeal to teens. You got one person yanking her tooth out and another jumping off of trains. It’s just flat stupid. Both are about as great as Shadow the Hedgehog, but at least Shadow isn’t trying to be something he’s not.
Image is giving us tons of awesome female characters right now, like Rori Lane from Wayward, the Rothschild from Black Monday Murders, Gertrude from I Hate Fairyland, Fara from Glitterbomb, Snottie from Snotgirl, and Orla from The Hunt.
All are much better characters than Ashlar because their motives make more sense and weren’t delivered via 12 straight pages of exposition. That bit, I think, is the real problem here. Ashlar could work but she doesn’t have a good writer behind her, so she comes off as half a Mary Sue and half an edgelord. It’s grating.
That being said, I only did read the first issue once. At 12 pages of exposition, I wasn’t going to go back to it.